I enter the elevator. I drop fifty stories to the ground. I step out into the December dreariness.

The towers of New York rise about me.

In the street the cars stream forward. Drivers sit edgily at their wheels. One never knows when the driver of a nearby car will be borrowed, and there is always a moment of lapsed co-ordination as the Passenger takes over. Many lives are lost that way on our streets and highways; but never the life of a Passenger.

I began to walk without purpose. I cross Fourteenth Street, heading north, listening to the soft violent purr of the electric engines. I see a boy jigging in the street and know he is being ridden. At Fifth and Twenty-Second a prosperous-looking paunchy man approaches, his necktie askew, this morning’s Wall Street Journal jutting from an overcoat pocket. He giggles. He thrusts out his tongue. Ridden. Ridden. I avoid him. Moving briskly, I come to the underpass that carries traffic below Thirty-Fourth Street towards Queens, and pause for a moment to watch two adolescent girls quarrelling at the rim of the pedestrian walk. One is a Negro. Her eyes are rolling in terror. The other pushes her closer to the railing. Ridden. But the Passenger does not have murder on its mind, merely pleasure. The Negro girl is released and falls in a huddled heap, trembling. Then she rises and runs. The other girl draws a long strand of gleaming hair into her mouth, chews on it, seems to awaken. She looks dazed.

I avert my eyes. One does not watch while a fellow sufferer is awakening. There is a morality of the ridden; we have so many new tribal mores in these dark days.

I hurry on.

Where am I going so hurriedly? Already I have walked more than a mile. I seem to be moving toward some goal, as though my Passenger still hunches in my skull, urging me about. But I know that is not so. For the moment, at least, I am free.